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Happy Holidays from Avon

Let's all make a little merry talking about our favorite holiday memories! We've gathered some of our beloved Avon authors, including Victoria Alexander, Gayle Callen, Anna Campbell, Kathryn Caskie and Stephanie Laurens, for a very special "Romance Radio" (www.authorsonair.com) segment on Thursday, December 18 at 5 pm EDT.

 

For anyone needing a bit of last-minute stocking stuffer inspiration, the authors will be talking about what books they enjoy giving as gifts for the holidays. Plus take a look at this awesome Holiday Gift Guide from our Avon editors!

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Who said... My greatest achievement so far is…


raising my two great kids, and winning a RITA Award from Romance Writers of America. Find out now

Just in case your New Year's resolutions had something to do with reading, too, here's a title for anyone who loves a good, suspenseful yarn involving creepy old houses, mistaken identities, and ghosts from high school past. In NEVER TELL A LIE, Ivy and David Rose seem to have the perfect life--a Victorian fixer-upper, a happy marriage, a first baby on the way--until a woman who claims to know them shows up at their yard sale. She introduces herself as Melinda White, but she looks and acts...

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First Meetings with Impact

In most romances, the first meeting between the hero and heroine sets in motion the emotional plot. The more clearly impactful and dramatic that meet­ing, the more believable it is that it represents a major turning point in the life of the hero and heroine, and the more gripping and interesting the romance that evolves. The reader becomes committed to following the romance from that point.

An aspiring author recently told me she was “amazed that you’re allowed to get away with four pages of backstory before the hero and heroine meet.” My immediate mental response was, “Only four pag­es? Which book was that?”

There’s a very real difference between setup for the first meeting and backstory. If you have not given suf­ficient information about one or both of your principal characters for the reader to feel empathetic enough to comprehend the impact of the first meeting before it occurs, then you will have a weak first meeting, and you’ll have to explain the importance of the meeting in retrospect, usually a less effective alternative.

Stephanie Laurens, author of It Happened One Night

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